10 Lessons for Urban Native Plant Meadows

Posted on September 12, 2018 by Brad Guhr

Katie Kingery-Page

I heard a great presentation this last Saturday entitled “10 Lessons for Urban Native Plant Meadows” by Katie Kingery-Page, Kansas State University (KSU) faculty member in the Department of Landscape Architecture and Regional & Community Planning. Katie was the keynote speaker at the Kansas Native Plant Society’s Annual Wildflower Weekend and the message fit perfectly with the weekend’s theme of “Native Plants in City Settings”.

I find Katie’s background of fine art, landscape design, and ecology intriguing. When Katie self-introduced as someone who sees landscape architecture as the design and stewardship of the exterior built environment and that doing so with native plants grounded the experience through a sense of place, I knew that this presentation was going to speak to me.

Katie’s insights in this presentation were based on experiences with “The Meadow” Project in front of the Beach Museum of Art on the KSU campus. From 2013-16, Katie and a team of volunteers converted a half acre of neglected turf into a native plant meadow. 10 lessons learned from this process were as follows:

1. Build A Coalition for the Life of the Project

It takes all kinds of people to complete a big project, and she showed a diagram of a “volunteer tree” she created.

Flow chart of people critical to the project.

2. Know the Place

Their planting list started with an extensive Flint Hills species template of the plants found at nearby Konza Prairie and was carved down to the resulting planting mix. Hackberry trees removed from the planting site were milled into everything from benches to mushroom-growing media.

Schematic diagram of prairie and forest-based planting mixes. (Image by Katie Kingery-Page, 2013)

3. Let the Team Guide the Values

Their team developed a mission statement and goals including that the site would integrate art and science and be a living laboratory that would minimize the usage of water and chemicals. An outcome of this plan was to forego the conventional use of killing existing vegetation with glyphosate and instead turned to compost smothering and mechanical scraping.

4. Develop A Thick Skin…Use Your Tricks

Have patience and don’t expect an instant landscape. Using flashy, early successional flowering plants such as the annual species Plains coreopsis (Coreopsis tinctoria) – the “bacon of plants” – helps distract onlookers that might otherwise see the weedy nature of the early stages of a planting.

Early successional, flowering “bacon” or “eye candy” plants Plains coreopsis (yellow) and beebalm (Monarda fistulosa). (Image by Katie Kingery-Page)

5. Tell the Project Story

Stories of these projects need to be told and can be done so through various media. Photos, drawings, and interactive touch tables at the Beach Museum were all used to tell The Meadow Project story.

Root development and above ground biomass increase over time, which also leads to increased soil porosity.

6. Connect to Volunteers’ Joy

Volunteer efforts were critical to the success of the project and instead of “work days”, they had “convene with monarch days” where learning experiences were an attractive part of the labor-filled get-togethers.

7. Put A Price on Labor

Weeding is skilled labor amounting to “surgical plant removal” and it should be rewarded. However, if money can’t be given, then at least try to find ways to acknowledge the people helping.

8. Embrace Imperfection

Native landscaping is perfectly imperfect and the inevitable weeds can be seen as beautiful too. Learning strategies that aid perception of such projects include maintaining a mowed edge that is critical to the perceived success of otherwise “messy” native landscapes.

All ages are welcome to weed. (Image by Richard Dean Prudenti)

9. Make Your Project for the Message of Conservation

Such projects are multi-faceted in their environmental benefits, and assessment measures should broadly include plants, soils, stormwater, wildlife, and more.

Restoration vs. Conservation – Katie used to use the word “restoration”, but there is a danger in implying that this process can fix all impacts to a diverse remnant plant community. Perhaps “conservation” is better with a focus on ecosystem functions such as soil structure, stormwater infiltration, etc.

10. Be A Champion…Stay All In

Katie learned early on from school gardening projects that such endeavors need project champions to carry the project through.

“The Meadow” Project. Long view toward the Beach Museum of Art. (Image courtesy of K-State Communications and Marketing)

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The 10 lessons in this presentation were familiar to me in a variety of ways. From 2003 to 2008 at Dyck Arboretum, our staff and an extensive team of volunteers and college student interns collected seed from local prairie remnants and planted the 13-acre Prairie Window Project. Distinct examples come to mind of our project that relate to each of these lessons and I’ve blogged about various interpretations of that project over the years. It would be fun to come up with our own 10 lessons as well. I can tell you that, similar to The Meadow Project, it included the “design and stewardship of the exterior built environment and that doing so with native plants grounded the experience through a sense of place.”

Visit A Favorite Place – Chase State Fishing Lake

Posted on May 23, 2018 by Brad Guhr

June is almost here and it is time for the prairie to shine. The prairie gardens we promote in our urban landscapes feature many prairie elements that start to look really nice this time of the year as well, but sometimes it is most enjoyable to visit the source prairies. One of the best locations to do this in Kansas is the Flint Hills physiographic region and specifically, Chase State Fishing Lake (CSFL).

An anvil cloud approaching CSFL

I’ve probably been there at least a couple of dozen times in the last 15 years and have found something new and fascinating each time. Years of seed collecting for our Dyck Arboretum prairie reconstruction introduced me to this place, and subsequent trips have had me return with Arboretum members, interns, family and friends as I seek to share this unique Kansas gem with as many people as possible.

My son, Ben, searching for treasures at CSFL

CSFL has its human-made construction marks, including the access road, dam, reservoir and spillway. These amenities promote easier access and recreation opportunities including camping, fishing, and swimming. The spillway highlights a series of limestone shelves where, during times of higher water flow, cascading waterfalls are a powerful sight to see. During low flow times, the shady dripping falls and clear shallow pools are a delightful destination during a hot summer day. There is nothing like a watershed made up entirely of prairie to provide a reservoir of pristine water for fishing and swimming.

CSFL spillway during high flow

My spouse, Sara, and I at a section of the CSFL spillway falls

The lake edge is a great location to witness the history of this place dating back to approximately 70 million years ago in the late Cretaceous period when Kansas was under an inland sea. Exposed sedimentary limestone features fossils including gastropods, bivalves and crinoids. During seed collection forays, my boys in their younger years would spend hours looking for fossils lakeside and I have to smile when I occasionally find crinoids around the house from their collections.

Fossils in limestone at CSFL

The wildlife is plentiful at CSFL. I don’t typically spend much time seeking it out during visits, but the diverse prairie ecosystem is teeming with insects, spiders, mammals, reptiles, and birds. Even though wild populations of bison are gone from the Flint Hills, evidence of buffalo wallows from hundreds and even thousands of years ago are still visible as small round compacted wetlands on the prairie ridge tops. It wasn’t till after a number of trips there that an accompanying herpetologist friend turning over rocks while I was collecting seed, alerted me to the fact that a diverse world of snakes and scorpions could be found under foot if you just look for it.

A focus of mine during some visits has been documenting prairie birds and butterflies. Bird species such as upland sandpipers and Henslow’s sparrows and butterfly species such as arogos skippers and regal fritillaries may have become rare throughout the Great Plains in general, but these species still thrive in the expansive prairies of the Flint Hills.

My first ever and only confirmed sighting of the rare arogos skipper occurred at CSFL

Regal fritillary butterfly (Speyeria idalia) on tall thistle (Cirsium altissimum)

Maize High School students observing the abundance of insects…

…and spiders at CSFL

The crown jewel of CSFL, in my opinion, is the prairie vegetation. Hundreds of species of grasses, wildflowers, sedges, vines, shrubs, and trees makeup the diverse skin and lifeblood of this Flint Hills landscape. Searching out flowers and seeds of these species is a like a deluxe scavenger hunt from March to November. A good reason to visit in early to mid June is to enjoy the stunning shows of butterfly milkweed (Asclepias tuberosa) among dozens of other species blooming at the same time.

Flowering spurge (Euphorbia corollata)

Butterfly milkweed (Asclepias tuberosa)

Finally, there is no better place to take in the grandeur of the relationship between the land and the sky. I’ve been fortunate to watch a thunderstorm roll in at CSFL and I can only imagine what it is like to witness a prairie fire there. With few to no trees to impede your view of the horizon, a ridge top there is an exquisite place to watch the sun rise and set. With only the sound of the wind and the dickcissels, meadowlarks, and grasshopper sparrows to serenade your visit, I find it one of the most enjoyable and even spiritual natural places in Kansas.

A tour group enjoying the last hours of daylight on a ridge top at CSFL

Prairie sunset at CSFL

For a later blog post by Brad on following the inspirations of Chase State Fishing Lake for landscaping, go to https://dyckarboretum.org/a-flint-hills-visit-inspiration-for-native-landscaping/.

Autumn Prairie: Like Nothing I Have Ever Seen

Posted on October 26, 2016 by Scott Vogt

“…the great grasslands—also known as the Great Plains and prairies—test a person’s fortitude as few other places do…Yet mysteriously, almost imperceptibly…the Great Plains and prairies grow on you.”

– Daniel S. Licht, Ecology & Economics of the Great Plains, p. vii (1997, Univ. Nebraska Press, Lincoln, NE)

If the prairie were a symphony, I would say it has been saving the best notes for the last. The prairie has been telling a story with each movement leading us through the year. It culminates with a crescendo leading to a fast paced ending. Winter is coming and the prairie will sleep, but the last song it sings is glorious. The hues of reds, yellows, and oranges of the autumn prairie are wonderful – even spectacular.

The big bluestem changes to crimson. Indiangrass in full plumage transforms to bronze and yellow. The little bluestem turns to purples and reds. As the sun sets, the rolling hills gently sway with the gentlest breeze. These dramatic changes to the landscape each year grow on you.

It has been an incredible year for the prairie. It is so lush and full. Abundant rain and moderate temperatures have allowed grasses and wildflowers to flourish. Native grasses have reached new heights. In fact, I have never seen them so ornate and luxuriant. The prairie is truly breathtaking.

Take some time to absorb the beauty of the prairie this fall. We may never see anything like this again for quite some time. Stand among the grasses and be immersed in the beauty of the Kansas landscape.

Take a trip into the Flint Hills and stand atop a rise looking across the plains. Close your eyes and imagine an expanse of prairie unbroken as far as you can see – a “sea of grass”. Drive along a local country road lined by native grasses. Take in an amazing sun set with the prairie in the foreground. It is a unique experience worth the effort every time.

No color photo or painting, no floral arrangement or pressed wildflower, nothing we take from nature can ever quite capture the beauty, the complexity or the “feel” of nature itself.